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GLENN GOULD READER(ISBN=9780679731351)书籍详细信息
- ISBN：9780679731351
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：1990-09
- 页数：496
- 价格：99.50
- 纸张：胶版纸
- 装帧：平装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
Whether Gould's subject is Boulez, Stokowski, Streisand, or
his own highly individual thoughts on performance and creation of
music, the reader will be caught up in his intensity, intelligence,
passion and devotion.
书籍目录：
Acknowledgments
Introduction
PROLOGUE: Advice to a Graduation
PART ONE: Music
William Byrd and Orlando Gibbons
Domenico Scarlatti
Art of the Fugue
The “Goldberg” Variations
Bodky on Bach
Of Mozart and Related Matters: Glenn Gould in Conversation with
Bruno
Monsaingeon
Glenn Gould Interviews Himself About Beethoven
Beethoven’s Pathétique, “Moonlight, and “Appassionata”
Sonatas
Beethoven’s Last Three Piano Sonatas
Beethoven’s Fifth Symphony in the Piano:Four Imaginary
Reviews
Some Beethoven and Bach Concertos
N’aimez-Vous Pas Brahms?
Should We Dig Up the Rare Romantics?. . . No, They’re Only a
Fad
Piano Music by Greig and Bizet, with a Confidental Caution to
Critics
Data Bank on the Upward-Scuttling Mahler
An Argument for Richard Strauss
Strauss and the Electronic Future
Richard Strauss’s Enoch Arden
The Piano Music of Siberlius
Arnold Schoenberg—A Perspective
The Piano Music of Arnold Schoenberg
Piano Concertos by Mozart and Schoenberg
Arnold Schoenberg’s Chamber Symphony No. 2
A Hawk, a Dove, and a Rabbit Called Franz Josef
Hindermith: Will His Time Come? Again?
A Tale of Two Marienlebens
Piano Sonatas by Scriabin Prokfiev
Music in the Soviet Union
The Ives Fourth
A Festschrift for “Ernst Who???”
Piano Music of Berg, Schoenberg, and Krenek
Korngold and the Crisis of the Piano Sonata
Canadian Piano Music in the Twentieth Century
The Dodecacophonist’s Dilemma
Boulez
The Future and “Flat-Foot Floogie”
Terry Riley
Gould’s String Quartet, Op. 1
So You Want to Write a Fugue?
PART TWO: Performance
Let’s Ban Applause!
We Who Are About to Be Disqualified Salute You!
The Pyschology of Improvisation
Critics
Stokowski in Six Scenes
Rubinstein
Memories of Maude Harbour, or Variations on a Theme of Arthur
Rubinstein
Yehudi Menuhin
The Search for Petula Clark
Streisand as Schwarzkopf
INTERLUDE: Glenn Gould Interviews Glenn Gould About Glenn
Gould
PART THREE: Media
The Prospects of Recording
Music and Technology
The Grass Is Always Greener in the Outtakes:An Experiment in
Listening
“Oh, for heaven’s sake. Cynthia, there must be something else
on!”
Radio as Music: Glenn Gould in Conversation with John Jessop
Prologue from “The Idea of North”
“The Idea of North”: An Introduction
“The Latecomers”: An Introduction
PART FOUR: Miscellany
Three Articles Published Under the Pseudonym Dr. Herbert von
Hochmeister
Toronto
Conference at Port Chillkoot
Fact, Fancy, or Psychohistory: Notes from the P.D.Q
Underground
The Record of the Decade
Rosemary’s Babies
A Desert Island Discography
The Film Slaughterhouse Five
A Biography of Glenn Gould
CODA: Glenn Could in Conversation with Tim Page
Index
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原文赏析：
"You play the organ, and you claim to like Bach,"said one of my teachers, a Toscanini advocate. "How can you possibly approve of Stokowski?"(We all knew of the transcription travesties for which he'd been responsible in the name of the cantor of Leipzig.)
Stokowski was, for want of a better word, an ecstatic.He was involved with the notes, the tempo marks, the dynamics in a score, to the same extent that a filmmaker is involved with the original book or source which supplies the impetus, the idea, for his film . "We write black marks on white paper—the mere facts of frequency; but music is a communication much more subtle than mere facts. The best a composer can do when within him he hears a great melody is to put it on paper. We call it music, but that is not music; that is only paper. Some believe that one should merely mechanically reproduce the marks on the paper, but I do not believe in that. One must go much further than that. We must defend the composer against the mechanical conception of life which is becoming more and more strong ...
I am disposed toward this view because I believe that the justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations. The purpose of art is not the release of a momentar ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity. Through the ministrations of radio and the phonograph, we are rapidly and quite properly learning to appreciate the elements of aesthetic narcissism — and I use that word in its best sense — and are awakening to the challenge that each man contemplatively create his own divinity.
其它内容：
书籍介绍
Whether Gould's subject is Boulez, Stokowski, Streisand, or his own highly individual thoughts on performance and creation of music, the reader will be caught up in his intensity, intelligence, passion and devotion.
书籍真实打分
故事情节：5分
人物塑造：7分
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文字风格：6分
语言运用：7分
文笔流畅：5分
思想传递：6分
知识深度：7分
知识广度：3分
实用性：7分
章节划分：4分
结构布局：6分
新颖与独特：8分
情感共鸣：4分
引人入胜：8分
现实相关：9分
沉浸感：3分
事实准确性：6分
文化贡献：3分
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