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Renaissance Figures of Speech(ISBN=9780521866408)书籍详细信息
- ISBN:9780521866408
- 作者:暂无作者
- 出版社:暂无出版社
- 出版时间:2007-09
- 页数:306
- 价格:866.80
- 纸张:胶版纸
- 装帧:精装
- 开本:16开
- 语言:未知
- 丛书:暂无丛书
- TAG:暂无
- 豆瓣评分:暂无豆瓣评分
内容简介:
The Renaissance saw a renewed and energetic engagement with
classical rhetoric; recent years have seen a similar revival of
interest in Renaissance rhetoric. As Renaissance critics
recognised, figurative language is the key area of intersection
between rhetoric and literature. This book is the first modern
account of Renaissance rhetoric to focus solely on the figures of
speech. It reflects a belief that the figures exemplify the larger
concerns of rhetoric, and connect, directly or by analogy, to
broader cultural and philosophical concerns within early modern
society. Thirteen authoritative contributors have selected a
rhetorical figure with a special currency in Renaissance writing
and have used it as a key to one of the period's characteristic
modes of perception, forms of argument, states of feeling or styles
of reading.
书籍目录:
Introduction: the figures in Renaissance theory and practice
Sylvia Adamson, Gavin Alexander and Katrin Ettenhuber
1. Synonymia: or, in other words Sylvia Adamson
2. Compar or Parison: measure for measure Russ McDonald
3. Periodos: squaring the circle Janel Mueller
4. Puns: serious wordplay Sophie Read
5. Prosopopoeia: the speaking figure Gavin Alexander
6. Ekphrasis: painting in words Claire Preston
7. Hysteron proteron, or the preposterous Patricia Parker
8. Paradiastole: redescribing the vices as virtues Quentin
Skinner
9. Syncrisis: the figure of contestation Ian Donaldson
10. Testimony: the artless proof R. W. Serjeantson
11. Hyperbole: exceeding similitude Katrin Ettenhuber
12. Metalepsis: the boundaries of metaphor Brian Cummings
13. The vices of style William Poole
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书籍介绍
The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and literature. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by analogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading.
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