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MATISSE THE MASTER（ISBN=9780375711534）书籍详细信息
- ISBN：9780375711534
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2007-10
- 页数：544
- 价格：112.00
- 纸张：胶版纸
- 装帧：平装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
“If my story were ever to be written down truthfully from
start to finish, it would amaze everyone,” wrote Henri Matisse. It
is hard to believe today that Matisse, whose exhibitions draw huge
crowds worldwide, was once almost universally reviled and
ridiculed. His response was neither to protest nor to retreat; he
simply pushed on from one innovation to the next, and left the
world to draw its own conclusions. Unfortunately, these were
generally false and often damaging. Throughout his life and
afterward people fantasized about his models and circulated
baseless fabrications about his private life.
Fifty years after his death, Matisse the Master (the second half
of the biography that began with the acclaimed The Unknown Matisse)
shows us the painter as he saw himself. With unprecedented and
unrestricted access to his voluminous family correspondence, and
other new material in private archives, Hilary Spurling documents a
lifetime of desperation and self-doubt exacerbated by Matisse’s
attempts to counteract the violence and disruption of the twentieth
century in paintings that now seem effortlessly serene, radiant,
and stable.
Here for the first time is the truth about Matisse’s models,
especially two Russians: his pupil Olga Meerson and the
extraordinary Lydia Delectorskaya, who became his studio manager,
secretary, and companion in the last two decades of his life.
But every woman who played an important part in Matisse’s life
was remarkable in her own right, not least his beloved daughter
Marguerite, whose honesty and courage surmounted all ordeals,
including interrogation and torture by the Gestapo in the Second
World War.
If you have ever wondered how anyone with such a tame public
image as Matisse could have painted such rich, powerful,
mysteriously moving pictures, let alone produced the radical
cut-paper and stained-glass inventions of his last years, here is
the answer. They were made by the real Matisse, whose true story
has been written down at last from start to finish by his first
biographer, Hilary Spurling.
From the Hardcover edition.
书籍目录：
Illustrations
Preface
CHAPTER ONE?1909: Paris, Cassis and Cavali~re
CHAPTER TWO?1910." Issy-les-Moulineaux, Collioure and Spain
CHAPTER THREE?1911: Seville, Paris, Collioure and Moscow
CHAPTER FOUR?1912—1913: Tangier andParis
CAPTER FrVE?1913-1915: Paris and Tangier
CHAPTER SIX?1916—1918: Paris and Nice
CHAPTER SEVEN?1919—1922: Nice, Paris, London and Etretat
cHAPTER EIGHT?1923—1928: Nice and Paris
CHAPTER NINE?1929—1933: Nice, Paris, America and Tahiti
CHAPTER TEN .1933—1939: Nice and Paris
CHAPTER ELEVEN?1939—1945: Paris, Nice, Cihoure, St-Gaudens and
Vence
CHAPTER TWELVE?1945—1954: Vence, Paris and Nice
Key to Notes
Notes
Index
作者介绍：
Hilary Spurling was born in England and educated at Oxford
University. She has been theater critic and literary editor of The
Spectator and a book reviewer for The Daily Telegraph, and has
written biographies of Ivy Compton-Burnett and Paul Scott. The
first volume of her biography of Henri Matisse, The Unknown
Matisse, was an Editors’ Choice book of The New York Times. Since
its publication, Ms. Spurling has written and lectured extensively
on Matisse and originated an exhibition about the importance of
textiles in the artist’s life and work that opened at the Royal
Academy in London in the spring of 2005 and at the Metropolitan
Museum in New York in the summer of 2005.
From the Hardcover edition.
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书籍介绍
“If my story were ever to be written down truthfully from start to finish, it would amaze everyone,” wrote Henri Matisse. It is hard to believe today that Matisse, whose exhibitions draw huge crowds worldwide, was once almost universally reviled and ridiculed. His response was neither to protest nor to retreat; he simply pushed on from one innovation to the next, and left the world to draw its own conclusions. Unfortunately, these were generally false and often damaging. Throughout his life and afterward people fantasized about his models and circulated baseless fabrications about his private life.
Fifty years after his death, Matisse the Master (the second half of the biography that began with the acclaimed The Unknown Matisse) shows us the painter as he saw himself. With unprecedented and unrestricted access to his voluminous family correspondence, and other new material in private archives, Hilary Spurling documents a lifetime of desperation and self-doubt exacerbated by Matisse’s attempts to counteract the violence and disruption of the twentieth century in paintings that now seem effortlessly serene, radiant, and stable.
Here for the first time is the truth about Matisse’s models, especially two Russians: his pupil Olga Meerson and the extraordinary Lydia Delectorskaya, who became his studio manager, secretary, and companion in the last two decades of his life.
But every woman who played an important part in Matisse’s life was remarkable in her own right, not least his beloved daughter Marguerite, whose honesty and courage surmounted all ordeals, including interrogation and torture by the Gestapo in the Second World War.
If you have ever wondered how anyone with such a tame public image as Matisse could have painted such rich, powerful, mysteriously moving pictures, let alone produced the radical cut-paper and stained-glass inventions of his last years, here is the answer. They were made by the real Matisse, whose true story has been written down at last from start to finish by his first biographer, Hilary Spurling.
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